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At a high school in a rural town in Georgia, an English class is studying The Crucible, but the students are more preoccupied with navigating young love, sex ed, and a few school scandals. As they delve into the American classic, the students begin to question the play’s perspective and the validity of naming John Proctor the show’s hero. With deep wells of passion and biting humor, John Proctor is the Villain is a new comedy from a major new American voice, capturing a generation in mid-transformation, running on pop music, optimism, and fury, and discovering that their future is not bound by the past.
It’s 1943, and the Allied Forces are on the ropes. Luckily, they’ve got a trick up their sleeve. Well, not up their sleeve, per se, but rather inside the pocket of a stolen corpse. Equal parts farce, thriller, and Ian Fleming-style spy caper (with an assist from Mr. Fleming himself), Operation Mincemeat tells the wildly improbable and hilarious true story of the covert operation that turned the tide of WWII.
Tim Rice and Andrew Lloyd Webber‘s legendary Evita returns to the West End, reimagined by the visionary award-winning director Jamie Lloyd.
Featuring an iconic score including Don’t Cry For Me Argentina, Oh What A Circus, Another Suitcase in Another Hall, and the Oscar-winning You Must Love Me.
Fueled by ambition and passion, Eva Perón rose from poverty to become the most powerful woman in Latin America. A symbol of hope to many Argentines, her star shone brightly as she captured the nation’s heart and divided its soul.
Happiness is only a heartbeat away with Here & Now, the hilarious and heart-warming new musical based on the songs of the multi-million-selling pop phenomenon, Steps.
Welcome to seaside superstore Better Best Bargains, where it’s Friday night, the vibe is right, and everyone’s dancing in the aisles. But when Caz discovers the shelves are stocked with lies and betrayal, the summer of love she and her friends dreamed of suddenly feels like a tragedy. Have they all lost their chance of a ‘happy ever after’? Or does love have other plans in store…?
Following a sold-out, extended run at The Public Theater, Suffs arrives on Broadway this spring — and not a moment too soon. From the singular mind of Shaina Taub, this “remarkable, epic new musical” (Variety), boldly explores the victories and failures of a struggle for equality that’s far from over.
It’s 1913 and the women’s movement is heating up in America, anchored by the suffragists — “Suffs,” as they call themselves — and their relentless pursuit of the right to vote. Reaching across and against generational, racial, and class divides, these brilliant, flawed women entertain and inspire us with the story of their hard-won victory in an ongoing fight. So much has changed since the passing of the Nineteenth Amendment over a century ago, and yet we’re reminded sometimes we need to look back, in order to march fearlessly into the future.
The Notebook is a new musical based on the best selling novel that inspired the iconic film. Allie and Noah, both from different worlds, share a lifetime of love despite the forces that threaten to pull them apart, in a deeply moving portrait of the enduring power of love.
Directors Michael Greif (Dear Evan Hansen, Next to Normal, RENT) and Schele Williams (Aida, The Wiz) team up with multi-platinum singer-songwriter Ingrid Michaelson on music and lyrics, with book by playwright Bekah Brunstetter (NBC’s This Is Us) and choreography by Katie Spelman.
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